A mystery lies at the core of this classic sci-fi horror film, but early reveals could have altered the entire story.

Quentin Tarantino is the master of the pastiche. He's able to find his unique voice and point of view through watching other people's work and then recreating it through his specific lens.

Ennio Morricone (1928-2020) was an Italian composer, orchestrator, conductor, trumpeter, and pianist who wrote music in a wide range of styles. With more than 400 scores for cinema and television, as ...

John Carpenter’s The Thing is one of those movies that was met with mixed critical opinion and even worse box office numbers but has seen its reputation skyrocket in subsequent years. Deservedly ...

The Thing: Remastered is a similarly authentic experience, albeit with a number of key improvements to the game's visuals, controls, and some quality-of-life mechanics.

Selecting the greatest records from Ennio Morricone is a near impossible task. How does one go about distilling eight peerless decades of composing, conducting, arranging, occasionally blowing the ...

Candyman, Candyman, Candyman, Candyman— The Thing by Ennio Morricone (1982) John Carpenter usually scores his films, but for The Thing he hired the spaghetti-western maestro Ennio Morricone.

Sticking to that script led Ennio Morricone to become one of the most popular composers in film history; diverging from it made him one of the most influential. The two-time Oscar winner, who died ...

But that's not the only horror movie Tarantino paid aural homage to - he also used "Regan's Theme" from Morricone's score for 1977's Exorcist II: The Heretic.

At Chicago’s Music Box Theatre, a 17-movie tribute to one of cinema’s most hummed, whistled, parodied and admired composers: Ennio Morricone.

Morricone scored every genre of film from Sergio Leone’s spaghetti westerns to La Cage Aux Folles, Days Of Heaven, The Thing, In The Line Of Fire, and Conan The Barbarian spinoff Red Sonja.