Demi Moore Talks Timeliness of ‘The Substance’: ‘There’s a Lot of Fear in America Around the Body’
Celebrating the film's French premiere, Demi Moore shared her feelings on the timeliness of 'The Substance' in relation to ...
Jude Law Flaunts His Britishness, Calling the Criterion Closet a ‘Cupboard’
Jude Law's selections from the Criterion Closet/'Cupboard' include 'Stalker,' 'Local Hero,' and 'The Night of the Hunter.' ...
How Not to Release a Film: With ‘Juror #2,’ Warners Cemented Its Anti-Filmmaker Reputation
Let’s start by giving Warner Bros. Discovery credit. They took a risk in financing “Juror #2,” a $30 million adult drama by a ...
Sean Baker Says the Fight for Theatrical Before Streaming Is Now a Permanent Battle
Palme d'Or-winning filmmaker Sean Baker gave the keynote chat at the IndieWire Future of Filmmaking Summit, breaking down ...
‘Disclaimer’ Star Leila George on the Finale’s Shattering Reveal: ‘Your Body Does Physically Run Out of Emotion’
Disclaimer' star Leila George talks to IndieWire about filming the devastating last episode as the younger version of Cate ...
Sean Baker Breaks Down the Emotional Last Scene of ‘Anora’ — and One of the Great Movie Endings
The last scene of 'Anora' is one of the great movie endings. Writer/director Sean Baker breaks down how they shot Mikey ...
‘My Old Ass’ Needed to Be Heard in Order to Be Seen
DP Kristen Correll tells IndieWire about her collaboration with director Megan Park and creating a timeless look for ...
Watch a ‘Call to Action’ for New California Tax Credits at IndieWire’s Future of Filmmaking Summit
Panelists at IndieWire's Future of Filmmaking Summit discussed Gavin Newsom's proposed $750 million change to California's ...
‘Meanwhile on Earth’ Director Jérémy Clapin Finds the Common Thread Between Space and the Past in Live-Action Debut
Director Jérémy Clapin tells IndieWire about his live-action debut — and utilizing animation to create a face-off between ...