In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being ...
Writer, Juliet Jacques: There’s a lot of power and resistance in refusing to use the body entirely in the way that Cahun does in their photomontages. I’m Juliet Jacques. I am a writer and filmmaker ...
Curator, Lanka Tattersall: In this gallery, we see artists who are interested in forms that oftentimes look very abstract, but reference physical states. In Maren Hassinger’s Leaning, you see these ...
Artist, Jaune Quick-to-see Smith: My name is Jaune Quick-to-see Smith. The title of this work is Paper Dolls for a Post-Columbian World (With Ensembles Contributed by the U.S. Government). These paper ...
Narrator: The American artist Suzanne Jackson made Wind and Water in 1975, using acrylic paint and pencil on canvas. The painting is a diptych, meaning there are two canvases hung side-by-side. Each ...
I was privileged to have this big studio space that I could just really break out and paint. I could even dance while I was painting. I think there’s a great deal of movement in the paintings with the ...
Curator, Lanka Tattersall: What is it like to have a body? How do you feel in your body? What is it like to move through the world in your body? These are questions that I think artists have been ...
Artist, Senga Nengudi: I was fascinated in how resilient the body was and I really wanted to somehow duplicate that experience. Curatorial Assistant, Margarita Lizcano Hernandez: Senga Nengudi made ...
Artist, P Staff: My name is P Staff. I’m an artist and fan of Greer Lankton. In this moving image work from Greer, you can see that she is thinking about movement, dance, anatomy, joints, the way the ...
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Curator, Lanka Tattersall: We’re looking at a work by the artist Martine Syms. It is a wallpaper that is full of images that come from Martine’s own archive of photographs, GIFs, videos. Syms ...
Artist, Lorna Simpson: I’m thinking about language and image and construction of self. My name is Lorna Simpson. You are looking at my untitled work from 1992. The top row consists of black boxes with ...