Correspondent, "CBS News Sunday Morning" and "48 Hours" Tracy Smith is an award-winning correspondent for "CBS News Sunday Morning" and "48 Hours." Smith has covered a wide range of subjects, ...

Forbes contributors publish independent expert analyses and insights. I cover Hollywood and entertainment. "The two revive a murdered young woman and The Bride (Buckley) is born. What ensues is beyond ...

With just $13.5 million globally against an $80 million production budget, Maggie Gyllenhaal's film is shaping up to be one of the bigger flops of 2026. For Warner Bros., it ends a streak of nine ...

It’s alive, but it’s not exactly showing signs of life. Set in the 1930s, “The Bride!” follows a very lonely Frankenstein’s monster (Christian Bale) and his undead love interest (Jessie Buckley) as ...

The Bride! is in theaters on March 6. Frankenstein's lightning-streaked bride has been an enduring image on screen ever since James Whale, the director of the original 1931 Frankenstein film, ...

Bursting at your neck staples to see Maggie Gyllenhaal’s reimagining of The Bride of Frankenstein starring Jessie Buckley and Christian Bale as the undead lovers? The new movie The Bride! is already ...

Like the title character of her new movie “The Bride!,” Maggie Gyllenhaal got possessed by Mary Shelley. In crafting her genre-smashing take on “The Bride of Frankenstein,” the director went down a ...

He’s a reanimated corpse, cursed to wander the land in a state of existential misery for centuries! She’s a former moll for a two-bit gangster, brought back from the dead to become his soulmate! You ...

Never mind spare body parts. In Maggie Gyllenhaal’s The Bride!, our eponymous newlywed is composed of three entirely separate and competing personalities. There is Ida, a seeming gangster’s mol ...

In 1930s Chicago, Frankenstein’s Monster (Christian Bale) and a mad scientist (Annette Bening) resurrect a recently deceased woman (Jessie Buckley), who has ties to the Mob — and Mary Shelley. The ...

Jessie Buckley's anguished scream of a performance can't sustain an ambitious feminist opera that feels unintentionally, conspicuously tailor-made to align with Warner Bros.' neighboring DC properties ...