After his 2022 true crime drama Dahmer proved to be popular among Netflix viewers (but divisive among critics, not to mention real-life figures affected by events depicted in the show), the TV super-producer unveiled the second offering from his Monster anthology series last week.

Netflix viewers have called out an 'inaccuracy' in Monster that applies to both Jeffrey Dahmer and the Menendez Brothers seasons of the show

The Menendez family have criticized Netflix's "Monsters," saying the show twists the story of the brothers who killed their parents.

"Monsters: The Lyle And Erik Menendez Story" follows the show's first and wildly successful installment, which focused on Milwaukee cannibal Jeffrey Dahmer, played by " American Horror Story " alum, Evan Peters, which people were also not thrilled about, due to its glamorization of a literal killer.

Monsters: The Lyle and Erik Menendez Story' has drawn ire from one of its subjects. Erik Menendez slams Ryan Murphy show for 'bad intent' 'caricature' of his brother Bodybuilders Try The Olympic Gymnast Strength Test Without Practice (DIFFICULT) 'Sky is the limit' for gold prices,

Erik Menendez spoke against Ryan Murphy’s latest season of “Monsters,” which is about his and his brother Lyle and their 1989 murder of their parents, for which they are serving life sentences.

Erik Menendez is slamming the “dishonest portrayal” of his life in Netflix’s “Monsters: The Lyle and Erick Menendez Story.”

In a statement shared by his wife, Tammie Menendez called out "a caricature of Lyle rooted in horrible and blatant lies" on social media Thursday night. “I can only believe they were done so on purpose,

Netflix fans are finding Ryan Murphy’s latest project to be a different kind of American Horror Story. The prolific 58-year-old creator’s “Monsters: The Lyle and Erik Menendez Story”, which dropped Thursday,

This is per THR, reporting on a statement Menendez has issued through the social media account of his wife, Tammi. Asking “Is the truth not enough?” Menendez accuses Murphy of undermining “decades of progress in shedding light on childhood trauma” with the show,